Pros and Cons: A New Author’s Guide to Conventions

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The coming of spring brings with it several important changes: (hopefully) better weather, the buzz and chitter of insects, the blooming of beautiful flowers, pollen, for my fellow allergy sufferers, and science fiction and fantasy conventions, or cons for short.

Not only are conventions great for celebrating your favorite geeky thing with hundreds of other fans, they’re also the perfect place for authors to promote their work. That’s why, during this time of year, I like to offer up my advice for new authors on how to navigate the convention scene.

Throughout this article, I am liable to make gratuitous reference to a little convention known as Dragon*Con. This is not only because Dragon*Con is seven kinds of awesome, but because it is a good example of several of the things I am going to talk about. Here goes.

Rule #1: Plan Ahead

This goes without saying, but I’m constantly surprised at those who try to simply “wing it” at a convention without doing any research or recon beforehand. You not only need to have your hotel booked (which is especially important at something like Dragon*Con, where the hotels sell out in three nanoseconds), you need to make sure that your target audience for your work is going to be there, as well as if it looks like something you’ll enjoy as a fan.

If the site of bronies or furries makes you throw up in your mouth a little, around the clock anime leaves you cold, or the con’s biggest draw that year is the guy who played the Vulcan gong ringer in the Star Trek episode Amok Time, that con might not be a good fit for you or your book.

That being said, if you like all those things, go ahead and go and have a great time.

To find a great con near you, check out Conventionscene or, for cons in the Southeast U.S., you can’t go wrong with the Southern Fandom Resource Guide.

Rule #2: Be Nice

Nothing will put a fan or potential fan off of you or your work faster than being a prima donna jerk. Don’t do it. Don’t be boorish or rude, don’t monopolize panels only tangentially related to your book to talk about your book, and don’t get angry when you go to a media (film and TV) con and no one knows who you are. Get over yourself. Don’t be “that guy.” (And if you have to ask about the characteristics of “that guy,” then you probably are “that guy.”)

Rule #3: Be Prepared

Bring plenty of pens for signing autographs, and plenty of copies of your books if you’re a self-published author. Even if you don’t have a table set up at the convention, you might get the opportunity between panels to sell copies of your work. Be prepared to do a lot of walking, and try to get plenty of sleep.

Rule #4: Pimp the Con

Conventions rely at least partly on you to hopefully bring in fans of your work to the con, and they expect all of their guests to promote their appearances there using their website and social media. They will also often set up interviews with guests for the news media, and will ask if you’d like to volunteer for this on your guest application. Do it. You might never be asked, but always tell them you’re willing. It might grease the wheels for you with the guest committee, and if you’re called on you might get to be on TV or the radio. It’s a win-win for both you and the convention.

There you have it, four rules for authors new to the convention scene. This list is by no means exhaustive. Feel free to share your own con author survival tips in the comments.

My Interview for Atomic Anxiety

Author Mark Bousquet interviewed me for his Atomic Anxiety blog. You can check it out here.

The Top 5 Books I Want to See Turned Into Movies

Everyone has a dream list of science fiction and fantasy books we’d like to see turned into movies, and with a few of those works, the dream has already become a reality. But now that The Lord of the Rings, John Carter of Mars, and now the Hobbit are out of the way, let’s look at a few book-to-film projects we still hope to see in the not too distant future.

At the Mountains of Madness

This short novel by H.P. Lovecraft, about Arctic explorers who discover the remains of an alien city and its inhabitants, has been on the movie wish list of many a geek for decades.

Why It Should be Made: Most of the screen adaptations of Lovecraft’s work have been horrible flops; his stories are elaborate mood pieces that give readers a feeling of dread for unseen horrors, and don’t translate well to the visual medium. But Mountains of Madness is probably one of Lovecraft’s most visual works, and if done right could introduce a whole new generation to the idea that we are just specks in the cosmic scheme of things.

Chances of it getting made: Guillermo Del Toro and James Cameron were both once attached to this project, and were moving forward on it, until fairly recently, but things fell through. The closest we may ever get to probing the Mountains of Madness on film now will be if someone makes a fan trailer for YouTube by cobbling together bits of Alien vs. Predator and The Grey.

Ready Player One

Filmmaker Ernest Cline’s (Fanboys) first novel about a dystopian future where everyone is immersed in the OASIS, a virtual realm that is a cross between Second Life and World of Warcraft, is just begging to be turned into a movie. A young man named Wade Watts is on a quest to find a special Easter egg left by the OASIS’s creator, an eccentric billionaire named James Halliday. The first person who can find three keys hidden somewhere in the vast OASIS, will get all of Halliday’s money and a controlling stake in his company. When Wade finds the first key, he becomes a pawn in a scheme to take over the OASIS, and the competing parties will stop at nothing, even murder, to get what they want.

Why It Should be Made: This book is a love letter to 1980s geekdom. Halliday was obsessed with the 80s, and the world becomes obsessed with that era too in hopes of finding some clue to where he hid the keys. This is a very visual book, full of eye candy, and it would look terrific on screen. And thanks to films like Avatar, we have the know-how to see this thing done, and done right.

Chances of It Getting Made: Pretty good. Cline envisioned this story as a film from the start, but wanted to write it as a novel first. He supposedly has some Hollywood-types interested, so we’ll probably see this made in the next few years. I don’t know how he’ll get licensing rights to all of the pop culture icons he uses in the book—Halliday’s keys require intimate knowledge of everything from the movie WarGames and Rush’s 2112 album to School House Rocks! and Monty Python and the Holy Grail—but it’ll be great to see him try.

Hyperion

Dan Simmons’ 1989 novel about a group of pilgrims on a journey across the planet Hyperion on the eve of an alien invasion, is one of my favorite SF novels.

Why It Should Be Made: Simmons created some wonderfully colorful characters, like the perpetually drunk poet Martin Silenus, and a rich backdrop of planets. There’s also the Shrike, a four-armed killing machine covered in metal spikes.

Chances of it Getting Made: This thing could languish in development hell for centuries, but there are steps being made. There’s even a production website (hyperionmovie.com) that says actor Bradley Cooper is penning a script (say what?) and that it will be released sometime in 2013 (again, what?!). As for the film being good…with all the rich details and plot structures of four novels, Hyperion might work better as a miniseries rather than a single film.

Transmetropolitan

OK, technically this is a comic book, but my original premise still stands. Published by DC’s Vertigo line, Warren Ellis’s tale of a grim journalist in a quasi-dystopian megacity known only as The City is one of the best comics stories of the last decade. Spider Jerusalem writes a column called I Hate It Here for a rag called The Word about all the things wrong with The City, and he isn’t afraid to get into the thick of things to get his story and report the truth. Bowel disruptor in hand, Jerusalem faces off with transhumanists, religious fanatics, sentient household appliances on drugs, and a Nixonesque politician he dubiously nicknamed The Smiler.

Why It Should Be Made: Just one panel of Darick Robertson’s art for the series contains enough demented, futuristic scenery for a whole two hours of cinematic eye candy. Who doesn’t want to see a two-headed, three-eyed cat smoke cigarettes?

Chances of it Getting Made: Zilch. At one time, Patrick Stewart was interested in playing Transmet’s bald anti-hero Jerusalem. There was also talk of creating a Transmet animated series, with Stewart providing the character’s voice, but nothing ever came of it. Ellis told a convention audience that production costs for a film adaptation would be too high and that there is no chance of seeing a film version. But who knows? With state of the art CGI, a Transmet film could probably be done a bit more cheaply. This might just happen yet, if the right people become interested in the property. I for one would love to see DC’s animation arm produce a direct-to-DVD animated feature version.

The Forever War

This 1974 Joe Haldeman novel, about soldiers suffering the effects of time displacement due to faster-than-light travel, is an allegory about Haldeman’s experiences in the Vietnam war.

Why It Should Be Made: Haldeman’s themes of displacement and loneliness, and war’s psychological effects on soldiers, are as prescient today as they were three decades ago.

Chances of it Getting Made: Ridley Scott apparently as the rights to a film adaptation, which he’s been trying to snag since the book was published. Blade Runner screenwriter David Peoples wrote a script two years ago, and Scott has recently ordered D.W. Harper (writer on the forthcoming Tom Cruise flick All You Need Is Kill) to pen a rewrite. With Scott returning to science fiction with Prometheus and a forthcoming sequel, as well as a sequel to his classic Blade Runner, we’ll probably see The Forever War hit the big screen within the next few years.

What are some books you’re dying to see turned into movies?

A Quick Word About What I’ve Been Up to Lately

I’ve been a bit slack in posting here lately, mostly because I’ve been busy posting over at the Mechanoid Press blog. But I thought it high time to give everyone a quick rundown of what I’ve been doing lately.

First of all, the giant monster anthology MONSTER EARTH is out and doing great. It’s available in print and Kindle format via Amazon, as well as Smashwords and Barnes&Noble. The print edition is just $14.95 and the e-book version is only $2.99.

2013 will see at least two books I was involved in see print. The first will likely be Mars McCoy: Space Ranger Volume 2, featuring a story by me and a story by Van Allen Plexico. This was the first story I wrote for Airship 27, and I’m glad it will finally see the light of day. I also just turned in a story for Tales of the Rook Volume 2, about Barry Reese’s super hero pulp character, the Rook.

And coming hopefully soon after, a tale a had a blast writing for an upcoming Airship 27 production called The Adventures of Harry Houdini, featuring two-fisted pulp tales of the famous magician.

Those stories, as well as two more I still can’t talk about that, make up the bulk of my output for the time being, and pretty much fulfill all of my short story commitments for the foreseeable future. I am now concentrating on writing novels, but I do have another anthology in the works with MONSTER EARTH co-editor Jim Beard for later in the year. Stay tuned, folks. It’s going to be a wild ride.

Amazing Stories is Back, and I’m Blogging for Them

Amazing Stories, the first science fiction magazine, lives again, resurrected as a blog and social networking site to connect fans of all stripes. It boasts over sixty bloggers, including yours truly, and will help pave the way to reviving the magazine as a paying market for fiction. Join me and people like Barry Malzberg, Tommy Hancock, Duane Spurlock, Michael A. Burstein, Felicity Savage, Michael J. Sullivan, and more as we bring back this classic magazine in an all new form. Check it out at www.amazingstoriesmag.com.

Confessions of a Kindle Owner: One Year Later

Since it has now been a year since I got the $79 Kindle, I thought I would how this handy little reading device has changed my life and reading habits.

First, the good stuff.

I definitely read more books faster than I ever did before getting the Kindle app for my first Android phone. Paper books are often unwieldy, too big, too thick, and just inconvenient to lug around; with the Kindle, you have an entire library that fits in a jacket pocket or, more often, my laptop bag.

I also buy more books. Even at $6.99 and $7.99, paperbacks are a luxury for me, but with many ebooks running $2.99 and even less, I routinely buy multiple books at once, something I was only very rarely able to do with print books (Now, before everyone starts whining about how ebooks shouldn’t cost 99 cents, let me just say that I agree with you in most cases. But they should never cost more than their print counterparts. Publishers that charge $14.99 for an ebook do so not to recoup production costs, but to maintain their stranglehold on print distribution).

This lower cost has given authors a lower barrier to entry. With the Kindle I now read different kinds of books, from different kinds of authors. Things I never would have taken a chance on in the print publishing world.

The Kindle device itself is truly groundbreaking. It makes e-texts readable, has a long battery life, and doesn’t produce waste heat enough to singe the hairs off your legs the way a laptop does.

I’m still discovering things about it, including its newfound ability for me to share that I’ve just read something on social networks like Twitter and Facebook. I suppose all this reading should give me something more to blog about as well.

Now for the bad:

I only have a one quibble with the device, and it is this: the ads. Closing my Kindle case and stowing in my bag often activates the ad, turning on my device’s wi-fi and using more battery power, often for days at a time. I guess I should be glad it isn’t hitting the order button, too, but my Kindle is the wi-fi only version, and doesn’t get Internet access to Amazon.com via the company’s whispernet. So why am I looking at ads at all?

All in all, the Kindle has been a life-changing gizmo for me. There are other great devices out there (the Nook and Kobo are no slouches in the e-reading department either), but for me the Kindle will always be my favorite.

2012 Goal Evaluation and 2013 Goal Setting

As we finally reach the end of this amazingly foul but strangely hopeful year of our Lord 2012, and look forward to the things to come in 2013, it’s always a good idea to take stock of ourselves and our situations and plan ahead for what we want to happen during our next trip round the sun.

I don’t believe in New Year’s resolutions, those vague, well-meant pronouncements that people make to lose weight, make more money, etc. and give up on by January 31st because because we didn’t outline any logical steps for the procurement of those things.

Instead I prefer setting goals, those dreams with a deadline that give us clear steps to work toward what we want to change about ourselves. Then, if we reach December 31st and we’re still the same, at least we know why, and we can adjust and correct for the following year.

We also have to make a list of our achievements.

As of right now, I have written stories for four anthologies from three different publishers. Hopefully a few of these will see print in 2013. I also had a story published in Blackthorn: Thunder on Mars from White Rocket Books.

I have also published Kindle versions of some of my own work: Slow Djinn and Four Terrors: Weird Horror Tales, both through my new imprint Mechanoid Press.

In the coming weeks Mechanoid Press will publish it’s first anthology, MONSTER EARTH, featuring original giant monster tales by some of the hottest names in New Pulp. I hope the book will have crossover appeal with daikaiju fans as well. If it goes well, there will likely be a sequel or two, and I plan on doing some more anthologies down the line.
Many thanks to my co-editor Jim Beard for getting this one off my to-do list and into reality.

Now, for what’s coming down the pike in 2013.

I’ve made one major goal for myself for next year, and that goal is to write better, faster. I want to write novels within one to two months’ time without locking myself in a room for weeks at a time or taking piles of speed that would scare Philip K. Dick. It’s going to be tough, but I think it’s not only doable, but doable by me. I’m preparing right now by getting some short story commitments out of the way and outlining heavily. I have partial to complete outlines for two or three novels, and it’s just a matter of which one gels enough in my brain to get started on first.

If I can keep up that pace, I should be able to write at least three novels per year. And if I don’t reach that goal, at least I should come pretty close. I’ve been boning up on how to plot and plot fast, and I’ve got some good role models to follow, chief among them the prolific Van Allen Plexico. I’ve got tons of ideas in me dying to get out, and time’s a wastin’…

And I am no longer strictly focusing on pulp or New Pulp either. I need to try my hand at stuff that has a broader appeal if I’m ever going to make money at this stuff and get out of the perpetual hobbyist mindset. There will still be plenty of pulp to be sure, but it’s got to have something else going for it. I’ve learned a lot from the New Pulp community, about writing, plotting, and marketing, and that beloved genre will always be a part of who I am as a writer, both in terms of plot devices as well as work ethic.

I’m also hoping for a mix of both traditional and self-publishing. There are times when you should go with a big publisher, and there are times when you shouldn’t. There are times when it is advantageous to go on your own as an indie writer, and times when it is less so. But both ways should be a part of every writer’s business model going forward.

As we near the end I feel strangely hopeful. And I am ready to make 2013 the best year yet. If I can leave you with two things going forward, it is these: that the world can and will be what we make of it, and these immortal words from Goethe: “Whatever you can do, or dream you can, begin it. Boldness has genius, power and magic in it.”

The Movie Poster That Inspired the MONSTER EARTH Cover

A few people have correctly pointed out that the artwork for our upcoming anthology MONSTER EARTH resembles a movie poster. This was intentional. My co-editor Jim Beard modeled his early design for the cover off the American poster for the Japanese Godzilla film “Destroy All Monsters.” Below is the MONSTER EARTH cover again for comparison:

I’m writing for GEEK Exchange

While still in its early stages (I started writing my first post today), I just wanted to share that I will be writing for GEEK Magazine’s GEEK Exchange blog.

This is my second foray into paid blogging. I currently write four articles a month for ApartmentGuide.com, which means one day soon I’ll make enough to put gas in my car.

Updated MONSTER EARTH Cover

Here is the updated and FINAL cover art for the upcoming Mechanoid Press anthology MONSTER EARTH, by the great Eric Johns.

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